
My dad made them up.
His name is Trevor H. Field. In the early 1990s he told my sister and me stories at bedtime about a snail called Eric and a worm called Wally. My sister is three years older than me, so she heard them first. By the time I can remember anything, they were already there.

There were snails and worms all over the garden when my family moved in, and my sister used to collect them to keep them safe. That is why it was a snail and a worm. He picked the name Eric at random. Wally was a man he worked with who was, he says, a bit of a worm.

Some nights he made a new one up as he went. Some nights I asked for the same one again, the way children do. He says that at that point in his career, bedtime was probably the most time he was able to spend with us. On the long drives to the Lake District for our holidays, he told them in the car.
Every story started in the cellar of an old inn. Eric was slow and thought things through. Wally was the silly one. I liked the frightening ones best, with sharks in the sea and monsters in the woods.
Nobody wrote them down. I tried once, for an English project at school when I was about twelve, and got twenty out of twenty and a merit! The teacher wrote that it was “an excellent piece of work (though perhaps not your most creative!)”. After that, nothing for a long time.
The birthday books
In April 2026 my dad had a big birthday. What do you buy an old timer? I thought it would be nice to bring the world he made to life, so I made him two books: the first versions of Eric the Snail and the Misplaced Potatoes and Shadow in the Sea.
He knew what they were straight away.
“I was amazed and emotional to see that so much thought and effort had been put in to create physical books based on my imaginations from many years earlier,” he says. “It was only then that I realised they had meant something and had been remembered.”
I gave copies to my nephew. A few friends read them to their children. They all wanted more, so I started writing more.

Who’s in them
Eric and Wally are my dad’s creations, as close as I can remember them. Every book still starts in the cellar, because his always did. Shadow in the Sea is based on the story I asked for most.

Nanny Joan is my nan, my dad’s mum. She was a spectacular nan. In the books she says very little and looks after two small creatures without any fuss. I put her in because she deserves to be everyone’s nan.
One of the children in the village is based on my nephew, who is curious about everything and careful with anything small, especially bugs.

The village is built from names we love. The Royal Oswald Inn is named after my dog. Fieldhaven is based on our family name. The rest are friends and family, if you know where to look.

How they’re made
The stories, the characters and the ideas are ours. Before retiring, my dad worked in the printing industry, so he is the editor and the proofreader.
There are two of us. I have a few hours a week and he has a few hours a month. We would love a room full of illustrators, animators and narrators, but we haven’t got one. So I use AI tools to help me write the stories up, picture them and read them aloud. Nothing goes out until we have checked it and changed it by hand, usually many times. You should see the folder of pictures that didn’t make it!

Why
They are slower and quieter than most things made for children now, and that is on purpose. I want them to be calm and comforting, and still a good story. I would like a child to fall asleep and dream about planting vegetables, running on the sand and climbing trees. And then ask for the next one.




Eric and Wally have always been part of our family. It would be nice if they became part of yours.
Alex












